• Robert Ransick
    Previous classes
  • Fall 2019
  • Web as Artistic Platform
  • MFA in Public Action
  • Graduate Seminar on Pedagogy and Public Action
  • Graduate Research in Public Action
  • Graduate Assistantship in Public Action
  • Spring 2019
  • Future Studio
  • MFA in Public Action
  • Graduate Seminar on Pedagogy and Public Action
  • Graduate Research in Public Action
  • Graduate Assistantship in Public Action
  • Fall 2018
  • Social Practices in Art
  • MFA in Public Action
  • Graduate Seminar on Pedagogy and Public Action
  • Graduate Research in Public Action
  • Graduate Assistantship in Public Action
  • Spring 2018
  • Web as Artistic Platform
  • First Year Forum
  • Fall 2017
    • Robert Ransick:
  • Future Studio
  • First Year Forum

    • Mimi Onuoha:
  • Philosophy of Data
  • Impossible Maps
  • Fall 2016/Spring 2017
    • Robert on sabbatical

  • Spring 2017 courses
    • Ayodamola Okunseinde:
  • Physical Computing
  • Interventions in Virtual Spaces

  • Fall 2016 courses
    • Nancy Nowacek:
  • Social Practice: Your Art is in My _____
  • Tell the World: Graphic Design for Creative Practice

    • Charles Crowell:
  • Upside/down: Business in the 21st Century
  • Spring 2016 Classes
  • The Web as Artistic Platform
  • The Fine Art of Physical Computing
  • Feminist Praxis (with Jacqueline Mabey)
  • Bringing Creativity to B Corporations (with Laura Callanan)
  • Fall 2015 Classes
  • The Web as Artistic Platform
  • Social Practices in Art
  • Future Studio
  • Spring 2015 Classes
  • The Web as Artistic Platform
  • Future Studio
  • Fall 2014 Classes
  • The Web as Artistic Platform
  • Future Studio
  • Social Practices in Art
  • Spring 2014 Classes
  • The Fine Art of Physical Computing
  • The Web as Artistic Platform
  • Fall 2013 Classes
  • Social Practices in Art
  • Object Oriented: Creating and Making with Technology
  • Spring 2013 Classes
  • The Web as Artistic Platform
  • The Fine Art of Physical Computing
  • Fall 2012 Classes
  • The Web as Artistic Platform
  • Social Practices in Art
  • Spring 2012 Classes
  • The Web as Artistic Platform
  • The Fine Art of Physical Computing
  • Ideas and Art
  • The Art of the Critique
  • Fall 2011 Classes
  • The Web as Artistic Platform
  • Social Practices in Art
  • The Art of the Critique
  • Fall 2010/Spring 2011
    • Sabbatical Year
  • Spring 2010 Classes
  • Introduction to Digital Arts
  • The Fine Art of Physical Computing
  • Ideas and Art
  • Reading Media
  • Fall 2009 Classes
  • Introduction to Digital Arts
  • Social Practices in Art
  • Spring 2009 Classes
  • Introduction to Digital Arts
  • The Fine Art of Code
  • Projects in Visual Art
  • Fall 2008 Classes
  • Physical Computing
  • Introduction to Digital Arts
  • The Art of the Critique
  • Spring 2008 Classes
  • The Augmented Library: Part 2
  • Introduction to Digital Arts
  • Fall 2007 Classes
  • The Augmented Library
  • Introduction to Digital Arts
  • The Interactive Object
  • Spring 2007 Classes
  • Introduction to Digital Arts
  • Advanced Projects
  • Fall 2006 Classes
  • Introduction to Digital Arts
  • Physical Computing
  • Experiments in Mixed Reality
  • Spring 2006 Classes
  • Introduction to Digital Arts
  • Creating Change: The Art of Tactical Media
  • Advanced Projects
  • Fall 2005 Classes
  • Introduction to Digital Arts
  • Introduction to Physical Computing
  • Massless Medium, Code and Creativity
  • Spring 2005 Classes
  • Introduction to Digital Arts Wednesday
  • Introduction to Digital Arts Friday
  • Introduction to Physical Computing
  • Fall 2004 Classes
  • Introduction to Digital Arts
  • Viral Media, Graphic Contagion
  • Bennington College
  • Bennington Bookmarks
    • Interactive art installation created in collaboration with students, faculty and staff, fall/spring 2007-2008
  • The Amplified Everyday
    • Physical Computing student exhibition, Spring 2005